Reception: The Radio-Works of Robert Rauschenberg and John Cage
76 pages, 206mm x 138mm
Reception is the first comprehensive examination of how Robert Rauschenberg and John Cage embraced and employed radio in some of their most sophisticated and experimental works between 1942 and 1991.
This includes Rauschenberg’s artworks Broadcast (1959) and Oracle (1962-1965), and Cage’s compositions, Imaginary Landscape No. 4 (1951), Water Walk (1959), and Variations VII (1966).
Author, Alana Pagnutti’s discussion considers how (influenced by renowned Canadian media philosopher, Marshall McLuhan), they both used the medium of radio to foster and provoke new qualities of experience and elicit the participation of their audiences.
The foreword is written by Angus Carlyle, co-director of Creative Research into Sound Arts Practice (CRiSAP) at London College of Communication (UAL).